Smokin at the Half Note Review
Smokin' at the Half Note by Wes Montgomery and Wynton Kelly, originally released by Verve in 1965, shouldn't need a build-up for anyone whose ears have been open for the last 40 years. When you begin a live session with 13 minutes of "No Blues," a cornerstone of the Miles Davis Quintet with Hank Mobley, circa 1961, you'd better have your stuff together. Montgomery, one of a handful of truly great 20th century jazz guitarists, and Kelly, the ultimate piano accompanist, are backed by Miles' fabulous Kind of Blue rhythm section consisting of bassist Paul Chambers and drummer Jimmy Cobb. This 1965 live set, is indeed smoking! From a churning "If You Could See Me Now," written by bebop piano great Tadd Dameron, to Wes' own tour de force, "Four On Six," Montgomery and Kelly are two Jazz giants cutting loose with the best they've got. Read more...
Smokin at the Half Note Specifications
Wes Montgomery brought the art of the electric guitar to new heights in the 1950s and 1960s before his untimely death at 43. His vaulting style employed octaves much as his main influence, Charlie Christian, did in the Benny Goodman Sextet. Montgomery's crowd-pleasing facility with the fretboard was best employed in live performance when he could stretch out and really be heard. Smokin' is a thoroughly satisfying live album recorded in 1965 and 1966 at the New York nightclub, with co-leader Wynton Kelly and his trio--Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums. Montgomery and Kelly are in perfect sync here, especially on "No Blues" and "If You Could See Me Now." --John Swenson
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